/LED work/

“For my Hjorted LAB presentation, I propose to present a yet unnamed performance, provisionally titled /LED work/. This is a still unfinished work, which is in the process of being experimented with, precisely in order to find its best performative qualities. The /LED work/ uses commercially available 5mm LED lights which automatically fade and blink. These lights are used for decoration and "fake flickering candles", and have the peculiar characteristic of not needing any external components; simply by connecting them to a power source, they exhibit their flickering and blinking behaviours. By connecting an audio cable directly to the LED leads, much like wiretapping, an oscillating signal within audio range can be heard. Currently I'm investigating strategies to find time-shaping behaviours and gestures which could work as a performance – such as powering several LEDs in series and in parallel, which reduces their voltage and current, respectively, and the sound they emit when being abruptly shut down.

At Hjorted LAB I intend to experiment with a performance version of this system, where something between 5 and 8 of the "modules" seen in the example videos are spread across the audience. Throughout the performance, I will walk around the space adding and/or removing LEDs from the prototyping boards, in order to control the overall form and duration. This will be a first showcase of this experiment, to gauge, amongst other things, its feasibility as time-based performance vs. as fixed installation.” - Magno Caliman

Folkets hus, Ankarsrum

31/08

19.00-19.30

ABOUT THE ARTIST

Magno Caliman

Magno Caliman - Sound artist, educator and creative coder, both his artistic and academic research activities are heavily rooted in the embracing of programming languages as places for poetical speculation, as well as the construction, modification and manipulation of electronic circuits. Magno has a degree in Music Composition and a master's in Education, where he developed and researched learning and teaching methodologies for programming languages in the context of the arts. Former teacher of Art and Technology at the Parque Lague Visual Arts School (Rio de Janeiro, Brazil) and Multimedia Arts at Maia University (Porto, Portugal), currently teaches at the Artistic Research in Music master's program at the Conservatorio Santa Cecilia (Rome, Italy).

As a member of the Music, Thought and Technology research cluster at Orpheus Instituut (Ghent, Belgium) he is technical editor for ECHO journal [https://echo.orpheusinstituut.be/], coordinates the Sound Arguments [https://www.instagram.com/sound_arguments/] series of events, and conducts research on how technical objects can operate as active, non-transparent agents in technologically mediated experimental sound practices.

https://www.instagram.com/magno_mag/

This event is made possible through the support of

This event is made possible through the support of —