ARTISTS 2025

Komuna Collective String quartet

The Komuna Collective is a group of artists, DJs and musicians committed to experimentation. Formed in 2022, Komuna launched in an underground nightclub in Oxford. Since then, they have performed at London Fashion Week, Riposte Queer Raves, as well as in nightclubs and concert halls around Oxford and London. Their work has been supported by the Ralph Vaughan Williams Trust, Arts Council England, The Oxford Research Centre for Humanities, and PRS. Their debut album ‘Views from the Real World’ was released in Autumn 2024.

https://www.komunacollective.com/

Andrew Harlan Composer

Andrew Harlan is a composer, bassist, and sound artist. His music exists at the intersections of contemporary chamber music, experimental club music, free improvisation, and dystopian sound design. His works for instruments and electronics often operate cinematically, seeking to immerse listeners in palpable sonic worlds.

His music has been presented across the USA and Europe by musicians and ensembles such as Yarn/Wire, Metropolis Ensemble, loadbang, and Wet Ink Ensemble, among others.

He has received numerous awards, including the loadbang Commissioning Competition, the Boston Conservatory Sinfonietta Composition Competition, the George Ladd Prix de Paris, and a grant from the Swedish Arts Council. From 2023–2024, he was supported by the J. William Fulbright Commission as a visiting composer at the Academy of Performing Arts in Prague (HAMU). He has also held residencies at the Cité Internationale des Arts, Zámek Niměřice, and the Kimmel Harding Nelson Center for the Arts.

In 2023, he completed the IRCAM Cursus in composition and computer music. He holds a PhD in Composition from UC Berkeley’s Center for New Music and Audio Technologies.

Andrew Harlan is Hjorted Art and Music’s first comissioned composer. His piece Channels will be premiered by Komuna Collective together with interactive lights.

https://soundcloud.com/andrew-harlan

Carmen Kleykens Vidal Performer and multimedia artist

Carmen Kleykens Vidal (1998* Païs Valencià) is a multimedia artist, post-composer, improviser, and performer from Gandia based in Hamburg, Germany. Carmen directs and creates projects with different collaborators, building multimedia projects in experimental setups and extensions. 

They are researching "Fluid Virtual identities", and the impact of XR technology on feminist awareness inside their doctoral studies with Prof. Alexander Schubert in HFMT, Hamburg.

Their work explores XR technology and 3D audio within Queer-feminist and post-human aesthetics, utilising topics such as virtuality, representation, self-exploration, and scientific theories as the main sources of digital action and political message.

https://www.carmenkleykens.com/

https://youtu.be/OKktA8ePFRw

Ella-My Blomdahl/Wolfa Collective Dancer

Ella-My Blomdahl is a dancer, choreographer and researcher from Stockholm (SWE), and has been living in Antwerp (BE) for the last five years. She has a background in circus  and has since studied dance at NEFCD (Härnösand) and holds a bachelor in dance and a master in embodied research from the Royal Conservatoire of Antwerp (BE). During her masters she has been working on a thinking about Posthuman Eroticism, both its philosophical/theoretical implications as well as through embodied boundary dissolving practices.  Her research touches on posthumanism, corporeal mysticism, dark ecology and eroticism. Part of her master's work consists of the project Way Away, which has been developed together with a larger identity - together with the Wolfa Collective, where she is also one of the founders. 

Wolfa is an initiative that functions as an artistic platform of artists from different artistic disciplines. They work to promote collaboration between artists and disciplines, both in creative processes and through investigative, research-based methods.

https://www.instagram.com/wolfa__collective/

MORA DJ

MORA (they/them) is a DJ who specializes in the complexities and origins of sonic soundscapes and rhythmic motion, while keeping their forms of art politically present. This genre-polyglot likes to pay homage to the existence of what once was and step onto the forbidden grounds unwritten. Through powerful and ancient cultural references made modern, MORA breaks and remakes patterns to express freedom of humans being, humans becoming. 

Experimentalism, exploration and expressiveness, and the core of post-emotional deconstruction of the reconstructed; leaving a mark without a trace. The Helsinki-based non-binary being has actively been organizing safer events and curations keeping QPOC communities in the forefront and having multi-sensory, neuro-friendlier, and more experimentally fluid approaches with their solo work, collaborations and their 'post êxistance' collective & community project.

soundcloud.com/mora_exe , https://ra.co/dj/mora-fi

Jerry Salas Light designer

Jerry Salas is a Mexican multimedia artist exploring the intersection of light, technology, and human experience. Based between Mexico and Sweden, his installations and immersive projections transform spaces into sensory environments for self-reflection.

His work has been shown in galleries and festivals worldwide across Europe, Latin America and Asia. Collaborating with artists such as Concepción Huerta, Gibrana Cervates and Agu Fulka with whom he won the First Prize at the Goodmesh Concours 2024. He is currently preparing for exhibitions at the Silver Musset in Sweden and a collaborative piece for Guadalajara’s Art Week in Mexico.


https://www.instagram.com/j_rrysalas/

Birgitta Oftestad Cellist

Birgitta Elisa Oftestad is a celebrated young Norwegian cellist known for her captivating stage presence and expressive sound. A cello prodigy, she began playing at age five and has since garnered 18 national and international first prizes as a soloist.

In 2018, Birgitta represented Norway in the "Eurovision Young Musicians" competition and won both "Virtuos" (NRK's competition) and "Frans Helmerson's award" at the Kronberg Academy. In 2019, she opened the Oslo Chamber Music Festival, mirroring Truls Mørk's historic performance.

Birgitta has performed with numerous orchestras, including the BBC Scottish Symphony Orchestra and the Oslo Radio Orchestra, and has graced festivals such as the Bergen International Festival and the Verbier Festival.

https://www.birgittaoftestad.com/

Phelan Nyvoll Walker Violinist

Phelan Nyvoll Walker began his musical career early, winning the “Best Musician Under 18” at the “Ung Klassisk” competition by age 10. He made his solo debut in 2021 with the Kristiansand Symphony Orchestra, performing Prokofiev’s first violin concerto. In 2023, he was a soloist in the “Sound of Climate” concerts. Walker has appeared at notable festivals, including the Rosendal Chamber Music Festival, the Oslo Chamber Music Festival, and the Røros Chamber Music Festival, where he performed Vivaldi’s “Winter” from The Four Seasons. An advocate for contemporary music, he participated in the inaugural “Creative Dialogue France” with Kaija Saariaho. From 2020-2023, he was part of Konstknekt, a Berlin Philharmonic mentorship program. Walker plays a historic 1860 Lacombe violin.

Kei Solvang Pianist

Kei Solvang moved to Norway at age five, accepted into the Young Talent Class at the Grieg Academy in 2017 and later joined the prestigious Talent Program at Prof. Jiri Hlinka Piano Academy, where she was mentored by renowned pianists including Leif Ove Andsnes.

Kei has achieved significant recognition, winning 1st Prize and the audience award at the Norwegian National Music Championship for youth, as well as top prizes and finalist positions in international competitions such as Pianale Junior International Academy and Cecilia International Piano Competition.

Her notable performances include a televised solo appearance on "Grieg Minute By Minute" for Edvard Grieg’s 175th anniversary, concerts at Troldhaugen, and the season opening at Oslo’s University Aula. In 2023, she performed Anne-Marie Ørbeck’s Piano Concerto with the Bergen Philharmonic Orchestra. Kei has also performed across Europe as both a soloist and chamber musician.

Tendertwin Singer

Bilge Nur Yilmaz is a Turkish-born, London-based composer, performer, and interdisciplinary artist who writes and performs under the moniker Tendertwin. Her work weaves voice, movement, language, and memory into layered compositions that explore themes of grief, belonging, and transformation. Blending folk traditions, Mediterranean modalities, and contemporary chamber textures, she creates emotionally intricate works rooted in storytelling and sonic experimentation.

Her debut EP Ship Argo was released in 2024, receiving radio play from BBC 6 Music, BBC Introducing, and BBC Radio 4, where her piece Always Moving premiered. She has been booked to perform at The Great Escape, Aldeburgh Festival, Roundhouse Rising x BBC Introducing, and Left of the Dial (NL). 

Tendertwin is currently developing her debut album and a new interdisciplinary performance project that bridges song, movement, and staging — drawing from physical idioms like “falling” or “reaching out” to shape musical form. She is supported by the In Motion 2025 selected composer programme and has been in residence at Britten Pears Arts, Roundhouse, and Sound and Motion. Her recent collaborations span strings, and choreography — all in service of crafting performances that are as somatic as they are sonic.

https://linktr.ee/tendertwin

Maddie Ashman Composer, songwriter and performer

Maddie Ashman is an avant-pop artist and composer, with a love for exploring microtonal music in uncanny, illusory yet accessible ways. Her recent EP Otherworld was a bestseller on bandcamp and #1 in folk. In April, she had over 10 million views and over 100k new followers, with praise from Anthony Fantano, Jacob Collier and more.

Recent performance highlights include a sold-out show in Istanbul with Tolgahan Çoğulu and a premiere of new work ‘Painting with Glass’ with cross-cultural GOKUMI ensemble. Her audiovisual installation ‘Through the Motions’ has been presented internationally, at COP-27 (Egypt), FerraroFilmCorto (Italy) and Aldeburgh Festival.

https://www.instagram.com/maddieashman
https://maddieashman.bandcamp.com/

ARTISTS HJORTED LAB 2025

Myra-Ida van der Veer Multimedia artist and vocalist

Myra-Ida van der Veen (2001) is a multimedia artist, singer, and electroacoustic instrument builder based in The Hague. She graduated in ArtScience and is currently pursuing a Master's degree in Music at the Conservatory of Utrecht.

Her work explores the anatomy of the voice, questioning where the voice begins and ends. By integrating external resonators, technological augmentation, and inspiration from the evolution of vocalization in other species, she tries to reimagine the future of vocal expression. How will voices sound when fused with other materials, instruments, or bio-hybrid technologies? How to connect these experiments with the future of choir singing?

Myra works for iii (Instrument Inventors Initiative), where she co-organizes a workshop program that explores the intersection of art, technology, and the human senses. And gives vocal improvisation classes.

https://idamyraida.com/

Tryggve Kemgren Composer and vocalist

Composer, vocal improviser and almost clinical psychologist

Tryggve Kemgren’s artistic expressions encompasses anything from hiphop and techno to noise and performance art in search for meaning and healing. From the growing up and learning the fiddle in the Swedish cultural heartland of Rättvik, Dalarna, spending his youth in the vibrant avantgarde scene of Oslo, to studies in composition and live electronics at the music conservatory of Gothenburg where he graduated 2012, the eclecticism has been deeply ingrained with no idiom of expression more valued or preferred. He has played over 100 concerts, collaborated with Isabel Sörling, Henrik Munkeby Nørstebø, Finn Loxbo, Olle Oljud and David Sabel among others, and played att places like Fylkingen (Stockholm), Øyafestivalen (Oslo), Little Bar (Chengdu) and Gothenburg Arts and Sound Festival.

Drawing inspiration from a series of adverse childhood experiences, the focus in Tryggve’s creative expression has always been to explore, understand and heal trauma, with the intention to create music that helps people in their own healing process. With this focus it became natural to enroll at the psychologist program in Växjö, Sweden, with one year away from becoming a clinical psychologist.

https://tryggve.substack.com/p/gratsang

Britt van den Boogard Performer and instrumentbuilder

Britt van den Boogaard is a multi-sensory instrument builder and performer. With a background in media design and film, she just graduated from Art/Science Interfaculty in the Hague. Her work delves into sensory interference, where she merges physical phenomena to build (wearable)instruments. Britt embraces the unpredictable nature of these instruments, using their instability as a tool for improvisation. Intrigued by neurodiversity and the influence of sensory stimuli to mental health, she aims to extend and share her experience of stimming, a coping mechanism used to relieve stress and improve concentration. This exploration culminates in performances which harmoniously blend light, sound, and body movement into meditative compositions.

https://www.instagram.com/brittvandenboogaard/

Magno Caliman Composer and electroacoustic musician

Magno Caliman - Sound artist, educator and creative coder, both his artistic and academic research activities are heavily rooted in the embracing of programming languages as places for poetical speculation, as well as the construction, modification and manipulation of electronic circuits. Magno has a degree in Music Composition and a master's in Education, where he developed and researched learning and teaching methodologies for programming languages in the context of the arts. Former teacher of Art and Technology at the Parque Lague Visual Arts School (Rio de Janeiro, Brazil) and Multimedia Arts at Maia University (Porto, Portugal), currently teaches at the Artistic Research in Music master's program at the Conservatorio Santa Cecilia (Rome, Italy).

As a member of the Music, Thought and Technology research cluster at Orpheus Instituut (Ghent, Belgium) he is technical editor for ECHO journal [https://echo.orpheusinstituut.be/], coordinates the Sound Arguments [https://www.instagram.com/sound_arguments/] series of events, and conducts research on how technical objects can operate as active, non-transparent agents in technologically mediated experimental sound practices.

https://www.instagram.com/magno_mag/